عرض المشاركات من يونيو, 2007

Echenoz's Ravel

It was only in February last year that the TLS ran a rave review of Jean Echenoz's Ravel in…

See also ...

Tom McCarthy on why the art world "is the place not just where literature is understood, b…

Writing off the disaster

What surprised me about Falling Man was how unperturbed it is; so sure and quiet about the form…

Plots are for gardeners

His is among the most recognizable of contemporary styles: time and again he evokes the restless…

The Road to nowhere

The weekend before last, I picked up a library copy of Cormac McCarthy's The Road . I do thi…

Gough witless

Julian Gough isn't witless at all, it's just an irresistible pun . And it allows me to r…

The art of criticism

Criticism is no longer an external judgement placing the literary work in a position of value an…

Hear, hear

While I have doubted the necessity of eBooks, I do like earBooks. To tempt me further, Naxos Au…

A new attunement

Tense, unnerved, and close to madness before writing - and when I read what I've written it …

A path at the end of the line

[Giacinto] Scelsi was born into an old southern Italian noble family, inheriting the title Count…

The book is not great

The New Statesman has a satisfyingly trenchant review by Chris Hedges of Christopher Hitchens&…

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