"The sea closes up, and so does the land"
My review-essay on Richard Ford's Frank Bascombe Trilogy can now be read at ReadySteadyBook…
My review-essay on Richard Ford's Frank Bascombe Trilogy can now be read at ReadySteadyBook…
Sometimes I feel like those old men Gulliver encounters in the Voyage to Laputa, who have renoun…
In the New Statesman, Ursula Le Guin defends fantasy in fiction. She says that by the mid-19th …
The publication of the translation of WG Sebald's remarkable essay on the Allied airwar on …
Andrew Hussey's sideswipe (it can hardly be called a review) at Jonathan Littell's nove…
I've changed the blog template courtesy of the remarkably-named Blogger Templates site. How…
"[T]he narrative is constantly shape-shifting. Readers, if they are to survive, must surren…
Last weekend I watched the drama documentary Touching the Void for the fourth time. If I were a…
"Azar Nafisi writes about the current crackdown by the crackpot Iranian regime on what can …
"I've begun to think that [public performance of poetry] forges an unnaturally close re…
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