Two links, one quote and a song
Mark Thwaite reviews Aharon Appelfeld's All Whom I Have Loved in the Daily Telegraph. Mich…
Mark Thwaite reviews Aharon Appelfeld's All Whom I Have Loved in the Daily Telegraph. Mich…
Michael Roloff continues his essay of McDonald destruction , this time discussing the literary s…
It is but the latest, albeit crudest and most ignorant and distorted, baffled as much as bafflin…
Continental Philosophy's blog [no longer extant] provides this link to a BBC documentary, f…
No doubt many more of us will be linking with breathless enthusiasm to this extract from Ian Mc…
The LA Times runs one of the first reviews of Gabriel Josipovici's Goldberg: Variations . I…
Golden Handcuffs Review (which I'd not heard about until this evening) has extracts from Th…
Over-subscription to Gabriel Josipovici's talk "What ever happened to modernism?"…
Less than a week before Gabriel Josipovici gave his talk in London, the novelist Hilary Mantel g…
The first part of Peter Handke's Repetition presents the memories of Filip Kobal's earl…
Ellis Sharp gives his account of Gabriel Josipovici's debate-provoking talk "What ever…
Last night I fell asleep listening to Words & Music , a new programme in the Sunday schedule…
The Liberal is a new magazine to me, yet it was "first founded in 1821 by the Romantic poe…
Ed Champion complains about Michael Silverblatt's gloriously elongated introduction to the …
Today I picked up the programme to this year's Brighton Festival (May 5-27). What literary …
Peter Cole tells Mark Thwaite about what inspired him to produce The Dream of the Poem . I am n…
Last month I was slightly hasty in heralding the release of A Voice from Elsewhere , a collecti…
According to a German site (new to me) dedicated to Peter Handke , the greatest living Austrian …
When Bloglines updates with an array of new posts to read, there are a few I always go to first…
When we think of Saul Bellow's work what we think of is a certain tone of voice, a tone of v…
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